Scanning through wavetables is done with the Morph control, which becomes a Delay control for mutisamples, offsetting their triggering by up to 500ms, and is, of course, available as a modulation target. All of the modulators have their own preset libraries, to which you can add your own configurations.įinally, although the modulation sources in one layer can’t be routed to targets in another, the three Macro knobs at the top of the interface are global, assignable to as many controls from across the whole synth as you like. And the step sequencers are edited using a clever system whereby one of 20 preset curves is entered into each step, and dragging with the left and right mouse buttons adjusts the height of the left- and right-hand ends of the curve respectively. The envelopes are ADSRs, with a Level control for the Attack stage and the ability to apply curvature to the Attack, Decay and Release stages. The LFOs load two waveforms at a time from a lengthy list of standard and ‘designed’ shapes, with A and B Phase and Bend knobs shifting and skewing each wave, and the X-Fade knob morphing between them.
You get 32 assignments per layer, using drag-and-drop or menu selection (via the target control itself, or in one of the 32 routing blocks at the bottom of the layer), and the same source can be assigned cumulatively to the same target multiple times, for modulation scaling and accelerating. Each layer features four LFOs, four envelopes and four step sequencers, all of them assignable to any of (only) that layer’s controls, including those of its loaded effects.
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